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crinkly_ears2012-07-14 11:11 am
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But Is The Ear Crinkly Enough? Speed Portrait Drawing of Mesut Ozil!
But Is The Ear Crinkly Enough? Speed Portrait Drawing of Mesut Ozil
(Warning: Artist is a Rammstein fan!)
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(Warning: Artist is a Rammstein fan!)
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You should hear me while I'm cooking dinner :P
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A few years ago I was taught by an elderly woman - Frau Solbach - who was well into her 70s and was sometimes genuinely shocked by the things the Goethe Institut would send her. And I think, though I could be wrong, that Rammstein and Rammstein lyrics were mixed in there - though it could have been some other creepy Gothic stuff.
Anyway - it always had a whiff of rebellion!
One lesson definitely involved this though:
And was compared with this, of course:
Memorable, at any rate!
And of course, football was always used in lessons. Previous tournamentw, upcoming tournaments - everything.
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Oh, how I hate our primeval copyright rules.
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http://www.hidemyass.com/
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These are always so fascinating.
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Maria Callas, Emma Kirkby, Guiseppe di Stefano, Tito Gobbi, Mirella Freni, Mady Mesple, Fischer-Dieskau, Lucia Popp, Christa Ludwig, Jussi Bjorling.
That's a list (not even close to comprehensive though - not even a bit) of singers I can think of off-hand that I couldn't live without.
And don't even get me started on conductors. Though it's a mystery to me that one of the finest Opera recordings (Solti's Traviata) could be conducted by the same conductor who made the worst opera recording in history - Kiri Te Kanawa (normally so lovely) in Tosca. Lovely voice - worst pacing and dramatization I've ever heard in my life. I took the recording out of the CD player about 20 minutes into the experience and threw it across the room with an exclamation of utter disgust. I defaced the CD. I performed voodoo rituals on it. It is a sacrilege. I had to listen to Callas (the '53 version) to cleanse out my ears.
(Karajan's Carmen - again a conductor I normally admire - evoked a similar reaction!)
Some of those voices though are like reading War & Peace - your life wasn't complete (you realize even as you are hearing them for the first time, that there was an actual palpable gap in your life) until you heard them.
I'm related to Bergonzi, by the way. My grandmother's maiden name was Bergonzi and he was her cousin! Random fact! I love him and Tebaldi. They had a wonderful musical chemistry. But Callas is my number one for ever! I remember Beverly Sills: "Any soprano who claims she doesn't listen to Callas is lying. Callas it the morning routine. You drink your orange juice, and put on a record..."
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You've just list some of my favourite singers, may I add Franco Corelli, Fedora Barbieri, Margaret Price (for me her Amelia in "Un ballo in maschera" is incomparable) and well, Luciano Pavarotti! I don't want to sound bitter, but I still have to find nowadays singers that can be compared with them. Every time I go to the theatre, I come home disappointed!
Oh, and I think I fainted for a couple of minutes when I read that you're related with Bergonzi! I often listen to an aria sung by different singers and then I decide who is the winner (a bit autistic) and he's ALWAYS my winner with "Che gelida manina". Love him!
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His "Celeste Aida" is the best too!
Here it is:
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Thank you, you made me remember of Lucia Popp, I have a wonderful "Le nozze di Figaro" with her, but I had almost forgotten, she's so awesome, but very underrated, at least here.
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I find, since then, that conductors speed up Mozart too much. He gave her time to sing:
Again - whenever you've time - her second act aria
But my favourite is the first act aria (everyone else prefers the second) - when she's still trying to convince everyone she's Mother of the Year!
Lovely isn't it - and again, not too fast!
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Thank you again! It was so kind of you, you made my day, I'm not kidding (as a fellow opera lover you can understand my excitement!)
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I think traditionalists prefer Victoria de los Angeles and Jussi Bjorling (and I love this recording. It was one of the first I ever bought) with Beecham conducting.
But I think the best is Alagna and Vaduva. Not many listen to it - but I think it is superb. Pappano conducts it. Absolutely beautiful. Add Alagna to the list of voices I can't do without. Vaduva is a sweet Mimi and the Musetta in this version is very charming.
Incidentally: do you have an opinion on the mono-stereo debate.
I made a post btw
http://jenny-jenkins.livejournal.com/7307.html
If you are new to LJ you can track a post by clicking on "track this" at the bottom of the post.
Or you can ignore it...
:P
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hmph.
not nearly Mesuty enough
I AGREE
A finer representation of Mesut's ears you will never see!
Re: I AGREE
Re: I AGREE
I doubt it, tbh
Re: I AGREE
*hmph*
*snuggles Mesut* Shall we have a pic_fic dahling and show them what Mesuty really is?
*Mesut giggles*
WHAT KIND OF SORCERY IS THIS
the artist only uses HB and 2B pencil...
*throwing away ALL pencil collections*
The ear is not crinkly enough, BUT.
Re: WHAT KIND OF SORCERY IS THIS
You noticed!
When I used to sketch, I used a 5B or a 6B - at least - and way, way more tissue paper!
Re: WHAT KIND OF SORCERY IS THIS
I used to work with HB, 2B, and 6B w/o tissue or brush, just fingers. XD
Nothing that came out is even close with that though. How.
Re: WHAT KIND OF SORCERY IS THIS
I never draw POTRAIT or real people because it's HARD! ^^;;;
Re: WHAT KIND OF SORCERY IS THIS
I've seen your fanarts before, I think your style is bordering realistic but it still got a somewhat cartoon-y feel, which is a great combination! <3 (Pardon that I expressed it badly!)
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besides, I wish my portraits of Mesut came out half as amazing -_- but after a few hand eye coordination sketches, I decided I should just stick to illustrated doodles of him... and even then they are embarrassing!
<3
Re: <3
my dad would utterly love this video, though, because he is an insane Rammstein fan. and also he's recently been dropping hints to my mother about moving to Germany - and he's being completely serious!
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Anyway, my fav Mesut cartoons are the ones from cayecaturas, much crinkliness and bulging going on there.
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